材质 :
图片文件尺寸 : 4573 x 4824 px
Otto Dix-Alemannische Masken (Probedruck), 1963.
奥托·迪克斯-Alemannic Masks（校样印刷），1965年。
2.
塔德乌什·马科夫斯基的《面具》 高清作品[77%]
图片文件尺寸 : 1602 x 2170px
塔德乌什·马科夫斯基的《面具》-Tadeusz Makowski
Masks--Tadeusz Makowski (波兰, 1882-1932)
3.
詹姆斯·恩索。面对死亡的面具。1888 高清作品[77%]
32 x 39 1/2 (81.3 x 100.3 cm)
James Ensor. Masks Confronting Death. 1888
詹姆斯·恩索。面对死亡的面具。1888-
4.
Koloman Moser的“胶带面具（面具壁纸）” 高清作品[75%]
图片文件尺寸 : 3864 x 3222px
Koloman Moser的“胶带面具（面具壁纸）”-Koloman Moser
Tapete Masken (Masks Wallpaper)--Koloman Moser (奥地利, 1868 – 1918)
5.
詹姆斯·恩索的《戴面具的老妇人》 高清作品[74%]
图片文件尺寸 : 4966 x 5906px
詹姆斯·恩索的《戴面具的老妇人》-James Ensor
Old Lady with Masks--James Ensor (比利时, 1860-1949)
6.
茨哈姆·马滕 面罩 高清作品[73%]
图片文件尺寸 : 5064 x 4306px
Tsham Mateng:Masks
signed, dated and inscribed \'Tsham 2019/ Kinshasa R D Congo\' (lower left)
ink on paper
52.5 x 42.5cm (20 11/16 x 16 3/4in).
(framed)
茨哈姆·马滕 面罩
7.
Cyprián Majerník的《面具》 高清作品[73%]
图片文件尺寸 : 3411 x 5000px
Cyprián Majerník的《面具》-Cyprián Majerník
Masks--Cyprián Majerník (Slovak, 1909 - 1945)
8.
“塞利格赠送了Goes Litho的心脏和面具。 高清作品[72%]
图片文件尺寸 : 2279 x 3388px
“塞利格赠送了Goes Litho的心脏和面具。-Goes Litho. Co.
Selig presents hearts and masks--Goes Litho. Co. (美国, 19th/20th Century)
9.
Heinrich Aldegrever的《带两个面具和两只海豚的观赏植物》 高清作品[70%]
图片文件尺寸 : 1013 x 2680px
Heinrich Aldegrever的《带两个面具和两只海豚的观赏植物》-Heinrich Aldegrever
Ornamental Foliage with Two Masks and Two Dolphins--Heinrich Aldegrever (德国, 1502-1555)
10.
伊拉斯穆斯·霍尼克设计的一个镀银烧瓶，上面装饰着皮带、面具和莫尔斯克 高清作品[69%]
图片文件尺寸 : 2448 x 3712px
伊拉斯穆斯·霍尼克设计的一个镀银烧瓶，上面装饰着皮带、面具和莫尔斯克-Erasmus Hornick
Design for a Silver gilt Flask Decorated with Strapwork, Masks, Moresques--Erasmus Hornick (德国, ca. 1520–1583)
11.
“一位学者在他的研究中戴着面具，可能是威廉·范德弗利特的寓言 高清作品[67%]
图片文件尺寸 : 4000 x 3001px
“一位学者在他的研究中戴着面具，可能是威廉·范德弗利特的寓言-Willem van der Vliet
A Scholar In His Study With Figures With Masks, Possibly An Allegory--Willem van der Vliet (荷兰, 1584 - 1642)
12.
“为身份不明的餐厅设计，可能是纽约州纽约市邓霍尔餐厅。”[面具和舞蹈人物壁画（门厅的墙壁处理）作者：温诺德·赖斯 高清作品[62%]
![Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of <em>masks</em> and dancing figures (Wall treatment in foyer)-](http://www.minghuafuzhi.com/2022/10/20221031064416290.jpg)
图片文件尺寸 : 9494 x 7013px
“为身份不明的餐厅设计，可能是纽约州纽约市邓霍尔餐厅。”[面具和舞蹈人物壁画（门厅的墙壁处理）作者：Winold Reiss-Winold Reiss
Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer)--Winold Reiss (美国, 1886-1953)
下载“为身份不明的餐厅设计，可能是纽约州纽约市邓霍尔餐厅。”[面具和舞蹈人物壁画（门厅的墙壁处理）作者：温诺德·赖斯大图
13.
Koloman Moser的“胶带面具（面具壁纸）” 高清作品[55%]
图片文件尺寸 : 3864 x 3222px
Koloman Moser的“胶带面具（面具壁纸）”-Koloman Moser
胶带口罩（口罩壁纸）--Koloman Moser (奥地利, 1868 – 1918)
14.
米谢·弗龙 高清作品[25%]
图片文件像素：5663 x 4147 px
米谢·弗龙-
Jean-Michel Folon * - Zeitgenössische Kunst I-
(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.
This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.
This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.
Provenance:
European Private Collection
The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.
La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.
“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César